~Lori Felipe Barkin
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
ABOUT THE CLASS
Over the course of 10 weeks, you will:
Are you a playwright wondering how far your skills can take you in television and what tools you’ll need once they reach their limits? The class begins by exploring the fundamental differences between plays and television including how each form works, how stories are structured, and how audiences experience them. From there, students will move into writing short scenes, focusing on visual storytelling, and applying those skills toward the development of a television pilot and an accompanying season concept. By the end of our 10-week class, each student will have created a detailed, specific outline for an original pilot of their own.
Register Here: https://www.playpenn.org/class/tv-streaming-writing-for-playwrights?referral=service_list_widget
ABOUT THE LIVE STORYTELLING WORKSHOP
Over the course of 2 weekends, you will:
Learn the difference between a pitch and a logline, and why you must nail each one.
Lock down your logline with the Save the Cat! mini-story template to get out of any logline jam.
Learn the 15 key beats found in any story to make yours resonate with what is “primal.”
Crack the “Magical Midpoint”—the secret of every story’s power.
Find out why the Opening Image and the Final Image are your way to “doublecheck the math” of a hero’s transformation.
Practice your pitch and improve your technique in front of a friendly group of fellow writers eager to help you succeed.
Register Here: https://savethecat.com/event/save-the-cat-beat-sheet-workshop-26
ABOUT THE LIVE STORYTELLING WORKSHOP
Over the course of 2 weekends, you will:
Learn the difference between a pitch and a logline, and why you must nail each one.
Lock down your logline with the Save the Cat! mini-story template to get out of any logline jam.
Learn the 15 key beats found in any story to make yours resonate with what is “primal.”
Crack the “Magical Midpoint”—the secret of every story’s power.
Find out why the Opening Image and the Final Image are your way to “doublecheck the math” of a hero’s transformation.
Practice your pitch and improve your technique in front of a friendly group of fellow writers eager to help you succeed.
Register Here:
https://savethecat.com/event/save-the-cat-beat-sheet-workshop-24
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
Thursdays from 6:30 p.m. till 9:30 p.m. for 8 Weeks
Most writing classes focus on how to write, but the question of why to write is at least equally important. The class will start with identifying and honing in on the subjects and stories that are most personal and resonant to each writer. Then the class will also explore how various forms might best suit the story you each writer wants to tell. Plays can be anything, and the supportive community of this class will help each writer create the best work they and only they are capable of.
https://community.barrowgroup.org/s/upcoming-classes
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
Mondays from 6:30 p.m. till 9:30 p.m. for 6 Weeks
As audiences, we have all sat though plays and movies wondering why the playwright has chosen this particular subject to write about. As writers, we have all struggled to approach a subject that we want to write about but can’t find our way into. Finding Your True Subject provides the tools to unlock these subjects, striving to help each writer discover what you (and only you) can bring to a subject, whether that subject is autobiographical or not. This class will assist students in identifying their true subjects and celebrating what they can uniquely bring to their stories.
Due to student demand, class has been expanded to 6 weeks. New exercises and assignments have been added!
https://community.barrowgroup.org/s/upcoming-classes
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
ABOUT THE LIVE STORYTELLING WORKSHOP
Over the course of 2 weekends, you will:
Learn the difference between a pitch and a logline, and why you must nail each one.
Lock down your logline with the Save the Cat! mini-story template to get out of any logline jam.
Learn the 15 key beats found in any story to make yours resonate with what is “primal.”
Crack the “Magical Midpoint”—the secret of every story’s power.
Find out why the Opening Image and the Final Image are your way to “doublecheck the math” of a hero’s transformation.
Practice your pitch and improve your technique in front of a friendly group of fellow writers eager to help you succeed.
https://savethecat.com/event/save-the-cat-beat-sheet-workshop-10
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
Mondays from 6:30 p.m. till 9:30 p.m. for 6 Weeks
As audiences, we have all sat though plays and movies wondering why the playwright has chosen this particular subject to write about. As writers, we have all struggled to approach a subject that we want to write about but can’t find our way into. Finding Your True Subject provides the tools to unlock these subjects, striving to help each writer discover what you (and only you) can bring to a subject, whether that subject is autobiographical or not. This class will assist students in identifying their true subjects and celebrating what they can uniquely bring to their stories.
Due to student demand, class has been expanded to 6 weeks. New exercises and assignments have been added!
https://community.barrowgroup.org/s/summer-classes
ABOUT THE LIVE STORYTELLING WORKSHOP
Over the course of 2 weekends, you will:
Learn the difference between a pitch and a logline, and why you must nail each one.
Lock down your logline with the Save the Cat! mini-story template to get out of any logline jam.
Learn the 15 key beats found in any story to make yours resonate with what is “primal.”
Crack the “Magical Midpoint”—the secret of every story’s power.
Find out why the Opening Image and the Final Image are your way to “doublecheck the math” of a hero’s transformation.
Practice your pitch and improve your technique in front of a friendly group of fellow writers eager to help you succeed.
https://savethecat.com/event/save-the-cat-beat-sheet-workshop-6
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
ABOUT THE LIVE STORYTELLING WORKSHOP
Over the course of 2 weekends, you will:
Learn the difference between a pitch and a logline, and why you must nail each one.
Lock down your logline with the Save the Cat! mini-story template to get out of any logline jam.
Learn the 15 key beats found in any story to make yours resonate with what is “primal.”
Crack the “Magical Midpoint”—the secret of every story’s power.
Find out why the Opening Image and the Final Image are your way to “doublecheck the math” of a hero’s transformation.
Practice your pitch and improve your technique in front of a friendly group of fellow writers eager to help you succeed.
https://savethecat.com/event/save-the-cat-beat-sheet-workshop-4
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
Wednedays from 6:30 p.m. till 9:30 p.m. for 4 Weeks
As audiences, we have all sat though plays and movies wondering why the playwright has chosen this particular subject to write about. As writers, we have all struggled to approach a subject that we want to write about but can’t find our way into. Finding Your True Subject provides the tools to unlock these subjects, striving to help each writer discover what you (and only you) can bring to a subject, whether that subject is autobiographical or not. This class will assist students in identifying their true subjects and celebrating what they can uniquely bring to their stories.
https://www.barrowgroup.org/acting-school/classes/playwriting-class/finding-your-true-subject-how-to-write-the-play-that-only-you-can-write/
ABOUT THE LIVE STORYTELLING WORKSHOP
Over the course of 2 weekends, you will:
Learn the difference between a pitch and a logline, and why you must nail each one.
Lock down your logline with the Save the Cat! mini-story template to get out of any logline jam.
Learn the 15 key beats found in any story to make yours resonate with what is “primal.”
Crack the “Magical Midpoint”—the secret of every story’s power.
Find out why the Opening Image and the Final Image are your way to “doublecheck the math” of a hero’s transformation.
Practice your pitch and improve your technique in front of a friendly group of fellow writers eager to help you succeed.
https://savethecat.com/event/save-the-cat-live-storytelling-workshop
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
You’ve written a beat sheet. Now it’s time to finally get that pilot written. A workshop to help you get to work and to support you in your struggle with feedback and encouragement every week.
For those intrigued by writing for the small screen, Writing for TV I is an introduction to what is universal and what is unique about television writing.
